Limit-Break x Survivor

'Get-excited [emph], universe to GO!' 興奮すっぞ is a heavy slang collapse: 興奮する + ぞ → 興奮するぞ → 興奮すっぞ. Dropping the る into a glottal っ is a Tokyo-rough male marker.

Limit-Break x Survivor is the Dragon Ball Super OP 2 (2017) by Kiyoshi Hikawa — a famous enka singer pivoting to anime pop. The song deliberately mixes enka growls, slang, and made-up onomatopoeia for comic effect.

'Cutting-edge of obsession [obj] how-about?' どう as a one-word question = 'how about?'. The line is half-pitch: try this thrill.

'This hand in grab [emph].' 手に掴む = 'grab in hand'. The implied object is the dream / cutting-edge thrill from v2.

'Off-the-walls laugh-want.' タイ in katakana with a glottal substitution writes 〜たい (desire) as a stylised verbal flourish. 素っ頓狂 = surprisingly, comically wild.

'Gibberish [topic] used-to-it [emph].' チンプンカン (also チンプンカンプン) is 17th-century Edo-era mimetic slang for 'jibber-jabber'. 慣れっこ = 'thoroughly used to'. ダイ caps it with rough male assertion.

'Next of world toward let's-go.' Standard volitional 行こう.

'Possibility of door [topic] locked-stays.' ロックする (loanword 'lock' + する) → passive ロックされる → past ロックされた + まま = 'remains in the locked state'.

'Wall [obj] smash-break.' ブチ is a Edo-era prefix that intensifies a verb — ブチ切れる ('lose it'), ブチ抜く ('punch through'). ブチ破る = 'break through with violence'.

'Now is, limit break-through.' 限界突破 is a key DBZ/RPG term — pushing past your stat cap. Title verse.

'Shout! heno-heno-kappa.' へのへのカッパ is a kid's drawing-game phrase that morphed into 'no problem / piece of cake' — by extension, casually dismissing a challenge.

へのへのもへじ is the famous kid-drawing technique where the kana spell out a face. へのへのカッパ uses 'kappa' (water sprite) instead of 'mohej' — sounds funnier, means 'no big deal'.

'There at is-waiting.' Continuation of v15 — the invincible 'me' is positioned ahead, waiting for the listener to catch up.

Title shout — the show name as a hook.

'Imagine [emph], merry of today!' 愉快 = lighthearted joy. Mirror of v1's 興奮すっぞ.

'Tempura-bowl, weather, mood [topic] up.' A throwaway list with internal alliteration: 天丼-天気 share kanji 天 ('heaven'). Pure singsong wordplay.

'Dream-if comes-true [emph].' 夢見りゃ is the colloquial collapse 〜れば → 〜りゃ. The whole line uses the Tokyo-rough 'dream-if-realised' shortcut.

'Big-brawl is, attack-come!' かかってこい = かかる ('attack') te-form + 来い (imperative of 来る) = 'come at me'. Classic shounen-anime challenge.

'Bam-knockout with twist-and toss.' Two onomatopoeia bracketing a verb — a comic image of throwing opponents around effortlessly.

'You also warrior must-be.' 〜だろう as soft conjecture seeking agreement — 'you've gotta be a warrior, surely'.

'Surprise-quality [obj] hidden.' 秘めた = 'has hidden inside'. Modifies ヤツ in v30.

'Guy [subj] survive.' 生き残る = 生きる (live) + 残る (remain). Together: 'remain alive / survive'.

'Crazy survival.' ヤバい originally meant 'dangerous' but flipped in modern slang to mean 'awesome / extreme'. Context distinguishes.

'Go [emph], limit break-through!' ゾ written in katakana is even more emphatic than ぞ. Variant of v13's 今だ! 限界突破.

'Power full-open, after-all.' 全開 (literally 'fully open') = 'full throttle'. やっぱ is slang for やっぱり ('as expected').

'Battle [subj] showcase [emph].' 見せ場 = 見せる (show) + 場 (place) — 'place to show off / highlight scene', borrowed from kabuki theatre.

Title shout — the show name as a hook.

'God-of-destruction only sourpuss!' ヘチャムクレ is Edo-period slang for someone with a frowning, ugly face — joke joke.

'Possibility of door [topic] locked-stays.' ロックする (loanword 'lock' + する) → passive ロックされる → past ロックされた + まま = 'remains in the locked state'.

'Wall [obj] smash-break.' ブチ is a Edo-era prefix that intensifies a verb — ブチ切れる ('lose it'), ブチ抜く ('punch through'). ブチ破る = 'break through with violence'.

'Now is, limit break-through.' 限界突破 is a key DBZ/RPG term — pushing past your stat cap. Title verse.

'Shout! heno-heno-kappa.' へのへのカッパ is a kid's drawing-game phrase that morphed into 'no problem / piece of cake' — by extension, casually dismissing a challenge.

へのへのもへじ is the famous kid-drawing technique where the kana spell out a face. へのへのカッパ uses 'kappa' (water sprite) instead of 'mohej' — sounds funnier, means 'no big deal'.

'There at is-waiting.' Continuation of v15 — the invincible 'me' is positioned ahead, waiting for the listener to catch up.

'Half-measure not Super.' 半端じゃない = 'not half-baked' = 'truly extraordinary'. Modern slang.

'Surpass-do, [emph] Super.' 〜てやる = 'do (X) for myself / show (someone)' — defiant tone.

Title shout — the show name as a hook.

'Boredom [topic] stone into becomes.' 〜になる = 'become (X)'. The image: idleness petrifies you.

'Heavy-and fall-end-up before.' 〜ちゃう (contraction of 〜てしまう) = 'end up doing X' (often regretfully). 〜前に attaches to plain verb = 'before (X-ing)'.

'Excitement of wings spread.' i-stem 広げ as a literary continuative chains into the next verse.

'Yare yare, this-time also.' やれやれ is a sighing resignation — the protagonist's signature interjection in many anime (Jojo, especially).

'Invincible of me [subj].' オイラ is an Edo-era rough first-person — Goku's signature self-reference. 無敵のオイラ = 'invincible-me'.

'All-king-sama even shocked!' 全王 is the in-universe character. オッタマゲ is Edo-era slang for being shocked, from お + 魂消える ('soul departs'). Joyfully archaic.

'Believe-if.' 〜ば conditional of Group 2 verb 信じる → 信じれば.

'Hand of inside in.' 手の中 = 'in (one's) palm'.

'Swirling Kamehameha of wave.' 波 ('wave') is the second half of カメハメ波. The line completes v24-25's conditional: 'if you believe, the swirling Kamehameha is in your palm'.

'Sorrow [obj] shatter time.' 砕く is transitive 'crush'. The clause modifies an implied 'when' moment.

'Real [Q-emph], 100-times.' マジかよ is rough male slang for 'are you serious?!'. 〜倍 is the multiplier suffix (倍 = 'times').

'Per-second evolution of.' 秒速 = '(unit) per second' — used for speeds and rates. Modifies バトル in v36.